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Review: ROMP, Departure From Venus

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When it comes to modern punk, I find myself looking for a combination of two conflicting ideas: aggression and beauty. Now, what may seem like two conflicting concepts represents the true nature of the punk/alternative genre. Frustration over shortcomings, the man, relationships, financial woes etc. meshed with the appreciation for life, community and the burning desire to overcome these struggles. The anthem to overcome has always rung true since the dawn of punk, and only grows more relevant as time marches on. New Jersey’s ROMP is an excellent microcosm of these ideas.

Swaying back and forth between the joys and sorrows, ROMP delivers soft, transient tracks while immediately diving into Riot Grrl aggression on the next song. The band easily adapts to the change in attitude, and singer Madison Klarer delivers an exceptional performance. From the spacial vocals of “last year” to angrily tearing down walls on songs “Departure From Venus” and “Naner Manor,” Klarer shows her flexibility of emotion and vocal talent, which creates a coherent sound and attitude of ROMP.

Young and filled with potential, ROMP is primed for a successful career in the alternative music scene. The ability to create a balance and impressive piece of work reflects the talents of each musician and the team behind them. The only shame is that there are only two records totaling 14 pieces of work for us to make an impression. Fortunately, ROMP doesn’t really care about our impressions of them, rather it’s just three musicians creating their most honest tracks, nothing more, nothing less.

Simply put-
Romp is tight

Overall Rating: 4/5 Stars

Recommended tracks: “Departure From Venus” & “Come Undone

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