REVIEW: Portugal. The Man – “Woodstock”
Review by: Lindsy Carrasquillo America’s current social political climate fosters many emotions from deep frustration…
Browsing: Special Features
REVIEW: Broadside – “Paradise”
Review by: Annette Hansen In 2015, Broadside released their debut full-length album Old Bones via Victory Records…
FEATURE: Spending The Summer on Warped Tour With Jule Vera
Interview by Allison Hade Calling the Journey’s Left Foot stage home this summer on Warped…
PHOTO GALLERY: Free Press Summer Fest
Free Press Summer Fest 2017 Eleanor Tinsley Park // Houston, TX // June 3rd and…
Q&A: Finn Matthews Finds A New, Inspiring World In Los Angeles
Interview by: Bridjet Mendyuk Originally from Atlantic City, Finn Matthews is a 17 year old…
PREMIERE: Catey Shaw Breathes Femininity Into Tom Petty and the Heartbreakers Cover “American Girl”
From the minds of Richard Gottehrer (founder of The Orchard and Instant Records) and Instant Records’…
PHOTO GALLERY: Catfish and the Bottlemen
Catfish and the Bottlemen Roseland Theater // Portland, OR // May 27th, 2017 Photos by…
PHOTO GALLERY: Chapel, Emarosa, and Pierce The Veil
Chapel, Emarosa, and Pierce The Veil House of Blues // Houston, TX // May 22nd,…
REVIEW: Adaline – “Aquatic”
Words by: Jennifer Boylen Toronto native, Adaline, is no stranger to the music scene with…
REVIEW: Paramore – “After Laughter”
Words by: Annette Hansen As a band evolves it’s easy, as a fan, to feel abandoned…